Once you made up your mind to get rid of something, there’s very little you can’t discard. No—not very little. Once you put your mind to it, there’s nothing you can’t get rid of. And once you start tossing things out, you find yourself wanting to get rid of everything. It’s as if you’d gambled away almost all your money and decided, What the hell, I’ll bet what’s left. Too much trouble to cling to the rest.
Haruki Murakami, Man-Eating Cats
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And once the storm is over you won’t remember how you made it through, how you managed to survive. You won’t even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you won’t be the same person who walked in. That’s what this storm’s all about.
Haruki Murakami, Kafka on the Shore (via mishsquish)

(Source: quote-book, via irrevokable)

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If I’m asked what the next most important quality is for a novelist, that’s easy too: focus—the ability to concentrate all your limited talents on whatever’s critical at the moment. Without that you can’t accomplish anything of value, while, if you can focus effectively, you’ll be able to compensate for an erratic talent or even a shortage of it. I generally concentrate on work for three or four hours every morning. I sit at my desk and focus totally on what I’m writing. I don’t see anything else, I don’t think about anything else.
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I have this strange feeling that I’m not myself anymore. It’s hard to put into words, but I guess it’s like I was fast asleep, and someone came, disassembled me, and hurriedly put me back together again. That sort of feeling.
Haruki Murakami, Sputnik Sweetheart (via obliteratedheart)

(via irrevokable)

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I sometimes think that people’s hearts are like deep wells. Nobody knows what’s at the bottom. All you can do is imagine by what comes floating to the surface every once in a while.
Haruki Murakami, Blind Willow, Sleeping Woman: 24 Stories
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It is sadder to find the past again and find it inadequate to the present than it is to have it elude you and remain forever a harmonious conception of memory.

F. Scott Fitzgerald (via collaborateourfears)

Apropos after just finishing Murakami’s South of the Border, West of the Sun.

(via enchantedmetropolis)

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So this was how secrets got started, I thought to myself. People constructed them little by little.

Hakuri Murakami, The Wind-Up Bird Chronicle
[dustandsunshine | LaurasMuse]
On March 24, 2011 at 11:22am

So this was how secrets got started, I thought to myself. People constructed them little by little.

Hakuri Murakami, The Wind-Up Bird Chronicle

[dustandsunshine | LaurasMuse]

(via purpleinwinter)

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What we seek is some kind of compensation for what we put up with.
Haruki Murakami (via avulsion)

(via irrevokable)

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438 pages into a Murakami novel and I’m still not clear on what’s going on. It’s almost as if Hemingway & Kafka met up in Tokyo, got seriously drunk while listening to Dylan, discussed the women who left them, and then brain-stormed magic ideas.
Now, I’m not saying this book isn’t good; in fact, it’s wonderfully written, haunting, tragically post-modern, and sad in a lonely, strangely universal way. I’m just saying that I’ve no idea what’s going on.
On August 14, 2010 at 5:29pm

438 pages into a Murakami novel and I’m still not clear on what’s going on. It’s almost as if Hemingway & Kafka met up in Tokyo, got seriously drunk while listening to Dylan, discussed the women who left them, and then brain-stormed magic ideas.

Now, I’m not saying this book isn’t good; in fact, it’s wonderfully written, haunting, tragically post-modern, and sad in a lonely, strangely universal way. I’m just saying that I’ve no idea what’s going on.

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Anyone who falls in love is searching for the missing pieces of themselves. So anyone who’s in love gets sad when they think of their lover. It’s like stepping back inside a room you have fond memories of, one you haven’t seen in a long time.
Haruki Murakami, Kafka On The Shore
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